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T
he “Fasnacht” Carnival traditions are celebrated in catholic
areas after Lenten season. Every area or village has their own
figure, which represents a different meaning. The Golden
Roof in the heart of Innsbruck, for instance, shows a fool, which is a
favourite symbol of Carnival. There are different reasons for the ma-
ny unusual customs, which are proudly celebrated by the local inhab-
itants. The belief that funny figures drive out winter, for example, leads
back into the 19th century to a school of thought. Although there was
no scientific proof for it, the belief was spread rapidly and became
an important part of the Tyrolean culture. Even the ORF (the Austri-
an Broadcasting Corporation) reports yearly on this topic. “Cannot be
proven,” so ethnologists. Yes, of course it cannot be proven, but exac-
tly those are the joys of Carnival: To be someone else, to have fun ac-
ting, to turn the world upside down… The child within all of us loves it.
The “Fasnacht” in Axams
The “Axamer Fasnacht” takes place yearly. Every four years, on Carni-
val Sunday, the parade is particularly pompous. There are hardly any
written sources related to the origin of the “Fasnacht”, but luckily the-
re were plenty of oral sources that have been passed on by the local
inhabitants until today. Sometimes, when the stories were being re-
told, little mistakes occurred, which has led to some changes in tradi-
tion every now and then. So that’s the reason why no one really knows
where this custom comes from or how it was celebrated in the olden
days. It was only in the year 1972, when an association for the “Fas-
nacht” was founded. Its members are responsible for preserving the
tradition.
The “Wampeler” (literally the “fat-bellied one”), who has a gigantic, for-
midable appearance, represents winter, whereas the so-called riders
symbolize spring. Their fascinating masks and costumes are made
by local artists. During the parade, the riders have to try to throw the
straw-stuffed “Wampeler” on their backs. The struggle between the
“Wampeler” and the riders, played by local men and boys, symbolises
the battle between the departing winter and the arriving spring. Not
everyone is allowed to participate in this peculiar, somewhat brutal
and yet fascinating custom. The selection criteria are very strict; the
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